News

Disney's Tomorrowland Is Erasing Real History To Sell You Fake Nostalgia

Walt Disney's theme parks are built on nostalgia. Main Street, USA is a romanticized small town from the 1800s. Liberty Square is colonial America. Frontierland is the old west. Even the castles in Fantasyland are reaching back into a European past that mostly never existed. There's only one exception: Tomorrowland.

By Brooke Brandtjen4 min read
Getty/Joe Raedle

The whole point of Tomorrowland was to look forward instead of back, to imagine a future filled with technology that hadn't been invented yet. And the Carousel of Progress, the land's centerpiece since 1964, was supposed to take guests on a journey through the history of how we got there.

Disney is about to gut it.

Everyone who visits Disney World will tell you that it's absolutely magical. Since its opening in 1971, it has been the place where dreams come true. Walt Disney’s vision in creating his theme parks was to build a space where both children and their parents could have fun together. He intended to create a place where people could find joy, regardless of their age. Disney World is now the biggest theme park resort in the world, visited by millions of people each year. For many, their first memories are of seeing the fireworks over the castle or meeting Mickey Mouse. Regardless of whether your last visit was when you were a kid or if you take your family every other Saturday, everyone cherishes its magic. 

Part of this magic comes from nostalgia. When you walk into the Magic Kingdom, you enter Main Street, USA. Disney chose this as the entrance to his theme parks because it was reminiscent of the small town he grew up in, in Missouri. Main Street pays tribute to the past, just like many of the other lands inside the park do. Respect for the past is part of the fabric of Disney World. 

The outlier to the theme park’s nostalgia can be found in the futuristic Tomorrowland. Although it has a retro-futuristic aesthetic that looks more like the Jetsons’ midcentury America, it was created to “predict” the future. Walt Disney hoped that the land would be “a vista into a world of wondrous ideas, signifying man's achievements … a step into the future, with predictions of constructive things to come.” Disney hoped it might be a place filled with inventions, where the technology of the future could be showcased to inspire park guests. That goal proved difficult, as many of the original attractions closed after quickly becoming outdated. 

Disney’s ‘Carousel of Progress,’ a rotating stage show filled with animatronics, was designed to fix Tomorrowland's problem of the technology of the future catching up to the current day. The show took guests through four scenes that highlighted the history of electronic development. It started at the turn of the century, showing some of the earliest electronic inventions such as electric lights and cast iron stoves. The next scene, the 1920s, showcased the radio, while the third scene championed the television. The fourth and final scene showcased the current day, giving guests the chance to appreciate how far technology had progressed. 

Despite being one of the oldest attractions in Walt Disney World, and being designed by Walt himself for the 1964 World’s Fair, the attraction is now slated for a major overhaul.

Despite being one of the oldest attractions in Walt Disney World, and being designed by Walt himself for the 1964 World’s Fair, the attraction is now slated for a major overhaul. The four scenes will now take place in 1969, the 1980s, the 2000s, and the “very, very” distant future, set on a different planet. The Carousel of Progress has seen many minor changes over the years, refurbishing old animatronics, changing small bits of refreshed dialogue, and introducing technology to the final "modern day" scene as new technology was rolled out over the decades.

Fans of Disney have long pointed out that Walt famously believed his theme parks would never be finished, lending to the idea that changing the park attractions is good. Similarly, the ride has always been willing to add or adjust its show scenes to make them more relevant to the time. So what’s the problem? 

In its original design, the Carousel of Progress showed the history of electronic development from its inception. The updated version will erase that complete historical narrative. Shifting the first scene of the ride from the 1900s to 1969 dilutes the educational impact of the story. Instead of seeing a complete account of how technology has progressed since its introduction, visitors will now only see a fragment of its evolution. Some of the most important technological developments are being cut out, such as the introduction of the car or the important shift from radios to televisions. The ride is meant to walk guests through the technological revolution, but it now only begins in 1969. This mitigates the tremendous progress of the late 1800s through the 1960s. Disney has long prided itself on being educational, with Walt himself believing that education and entertainment should go hand in hand. Whether creating movies, television shows, or theme parks he always “hoped that people learned something.” By cutting out major sections of the ride, modern Disney is cutting out the opportunity to actually inspire people through history. 

The new version of the Carousel is going to prey on visitors’ nostalgia rather than teach them about history. Disney has stated that their Imagineers are “scouring eBay for decade-appropriate memorabilia, and both pop culture nods and Disney references are woven throughout.” This means that we can presumably expect to see things like VHS tapes, old McDonald's Happy Meal toys, and WWE wrestling matches on the HD television. The attraction won’t teach people about technological progression, but will encourage them to get excited over recognizing random, trivial toys from their childhood. There is a big difference between showing people the impact of the radio and showing people the Rock smelling what’s cooking. 

The cynical answer is that this is a cash grab marketed as a refresh. Disney has watched Y2K nostalgia turn into one of the most lucrative content categories of the decade. Devil Wears Prada 2 has crossed $600 million globally since its release, making it one of the biggest hits of 2026. Malcolm in the Middle is back on Disney+. Hollister has filled its stores with low-rise jeans and "Senior" sweatpants. Millennial and Gen Z guests are, collectively, refusing to age, and Disney has decided to capitalize on it by cramming the Carousel of Progress full of Easter eggs designed to make twenty-somethings squeal in recognition. The new version isn't going to feel like a history lesson. Instead, it's going to feel like an Instagrammable callback machine designed to sell tickets to the people who grew up watching Lizzie McGuire.

At face value, this doesn't seem like it would be all that bad. But the problem is that we're already drowning in nostalgia. We do not need another attraction pulling us backward. The Carousel of Progress was a rare piece of Disney IP that asked guests to look at the past as a launching point for the future. It celebrated how far we've come specifically so we could imagine how much further we might go. That kind of forward-facing storytelling is increasingly rare, and it's the exact thing children (and adults) need more of right now.

The attraction won’t teach people about technological progression, but will encourage them to get excited over recognizing random, trivial toys from their childhood.

It’s more important than ever that we understand our history. America invented the lightbulb, the television, and the airplane, and revolutionized the car and modern plumbing. Some of the most influential scientists and inventors of the modern age have been Americans like Thomas Edison, Benjamin Franklin, and Albert Einstein. Unfortunately, there has been a decline in Americans’ knowledge of U.S. history. Since 2014, there has been a steady drop in students’ U.S. history test scores, and “only 27 percent of those under the age of 45 nationally can demonstrate a basic understanding of American history,” according to the Institute for Citizens and Scholars. If Disney wants to truly continue its goal of both entertaining and educating its guests, especially children, it wouldn’t erase history, it would promote it. 

A lot has changed since Walt Disney passed away in 1966. The company he left behind has often scrambled to live up to his legacy. In recent years, the Disney company has had a history of “going woke” and valuing performative activism over families. Its recent movies, including those targeted at children such as Lightyear and Strange World, have included same-sex relationships. They've rethemed park attractions to be more “culturally sensitive,” such as Splash Mountain and Pirates of the Caribbean. During the 2010s, the company even implemented strict DEI policies under their “Reimagine Tomorrow” initiative. Yet, the families who love Disney don’t need progressive policies or random, tedious bits of nostalgia. They need wholesome, positive experiences that build up families. Walt wanted his theme parks to be a place where the entire family could laugh, play, and learn together. Removing so much history from the Carousel of Progress only limits the value of that progress.